Mark Feeney writes: “Earlier this year Lueders-Booth published a selection of the photographs he took for the project. The black-and-white images in “The Orange Line” (Stanley/Barker) are as much about feel as appearance. That feel is of lives being lived, time at once passing and standing still, textures of dailiness that are almost tactile. Walker Evans described his style of photography as “lyric documentary.” He’d recognize the affinity between his work and Lueders-Booth’s.”